Aeon of the Black Sun - Ongoing​

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Aeon of the Black Sun is an immersive installation inviting viewers into a meditative exploration of balance, transformation, and the sacred feminine. The exhibition combines oil paintings using natural pigments, clay sculptures integrating water and soil, a central earthen mound, and an ambient soundscape that creates a hypnotic environment.

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The Black Sun serves as the central metaphor, representing the sacred feminine as a counterpoint to the sun's masculine energy. Like Stephen Hawking's revelation that black holes emit radiation rather than simply destroy, the Black Sun symbolizes how seemingly passive forces can be profoundly generative. This energy asks us to reconnect with the intuitive, cyclical, and nurturing aspects of existence.

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Throughout the installation, the Vesica Piscis appears as a guiding motif—a universal symbol of creation and the convergence of opposites. By weaving together symbolic imagery and immersive elements, the exhibition creates a transformative space highlighting the Black Sun's relevance in both personal and collective transformation, offering reflections on the shift in consciousness needed for a more harmonious, sustainable future.

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TABULA RASA  (2022)

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In the "Tabula Rasa" series, I seek to explore the shifting boundaries between my inner world and external reality. The pentagrammatic forms and landscapes I've chosen become my tools for fragmenting habitual perceptions, creating spaces where intuition and reason can freely dialogue.

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Each work serves as a visual diary, where the four elements—earth, air, fire, and water—represent different layers of my own consciousness. The pentagram acts as a personal map, a guide for navigating between my interior states: my rational thoughts, deep emotions, spiritual impulses, and material anchors.

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I wanted to create portals—not just images, but spaces of transformation. Subtle invitations for the viewer to dive into their own inner complexity, to recognize those invisible territories that inhabit and shape us. The title "Tabula Rasa" is not simply a philosophical reference, but a personal invitation: to erase certainties and allow new perceptions to emerge.

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Blue Hour Archetypal Imagerie (2022)

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In this series, I seek to capture that fleeting and mysterious moment of the blue hour—that suspended instant when light hesitates between day and night. For me, it represents a metaphorical space where our different layers of consciousness meet, where our habitual perceptions dissolve.

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These paintings are fragments of inner breathing. Each scene, deliberately minimal, acts as a simple mirror inviting the viewer to dive into their own intimate territories. These are not narratives, but invitations to contemplation—spaces where meaning is not imposed, but freely woven by each individual.

The symbols I use are like doors left ajar to our psychic landscapes. They suggest more than they show, creating resonances rather than fixed meanings. This is my way of exploring how our perceptions are constantly constructed, deconstructed, and recomposed during these moments of transition.

Anicca: Flowers of Impermanence (2020)

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"Anicca: Flowers of Impermanence" explores the Buddhist concept of perpetual flux and transformation—how everything exists in constant movement, from cellular structures to celestial bodies. The installation examines impermanence as both universal principle and psychological challenge, revealing how human suffering arises from our attachment to the ephemeral.

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The central sculptural element features Astrantia flowers—whose name references celestial bodies—suspended through magnetic forces above a marble pentagram portal, symbolizing how the transcended ego defies gravity and material constraints. Surrounding this are ten hermaphroditic Impatiens Walleriana blooms, embodying the perfect balance of opposites necessary for spiritual illumination.

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Accompanying this are five paintings documenting the progressive decomposition of the Astrantia flower as metaphor for ego dissolution. The sequence charts a transformative journey from initial awareness through shadow integration to spiritual rebirth. Each canvas bears ritualistic burn marks—symbols of alchemical purification—that mark stages of consciousness evolution: from dawning insight, through acknowledgment of spiritual essence, to applied wisdom, transcendent thinking, and finally, the full manifestation of creative force where the self observes the ego objectively rather than ''being ' 'it.

Printing the Soul (2022)

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Astral Connection Project" investigates the transmission of ethereal energies between realms, examining how astral light manifests through physical vessels—particularly the human form and botanical entities. Drawing from esoteric symbolism, the work maps this interdimensional exchange through three interconnected movements.

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The project explores how we, as beings composed primarily of empty space, become conductors for astral energies—vessels where resistance creates power, much like electricity contained within circuits. This energy, when perfectly balanced, must continue flowing to maintain purity, visually represented through floral forms that channel and disperse light.

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The installation positions humans as portals—conduits through which astral light traverses from source to physical reality. The work suggests that self-knowledge allows us to direct this energy toward authentic purpose rather than succumbing to illusions that divert us toward paths of false security instead of genuine transformation.

There is only One Mind Dreaming the Universe (2022)

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''There is only One Mind Dreaming the Universe" explores the threshold between states of being—the delicate equilibrium where opposites meet and transform. Through architectural and natural imagery, the work investigates liminal space as a site of perfect balance between polarities.

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The installation employs a house as metaphor for the human body—a vessel positioned between material and spiritual realms. Water, with its dynamic energy, becomes the medium that penetrates this structure, allowing access to subconscious dimensions. Through deliberate color harmonies and formal relationships, the work visually bridges feminine elements (fluid natural forms, emotional currents) with masculine principles (architectural structure, geometric order).

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This project extends my ongoing investigation of sacred geometries and cosmic relationships, where the pentagram (representing human consciousness) and hexagram (symbolizing universal order) interconnect. The work suggests that our inner consciousness links directly to cosmic intelligence through water—the elemental manifestation of our unconscious mind. In this liminal space between microcosm and macrocosm, we discover the singular consciousness that dreams our shared universe into being.

The New Aeon Booklet (2021)

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The New Aeon" is a conceptual framework presented as an illustrated statement booklet that charts a pathway through our contemporary spiritual landscape. The work functions as both meditation and manifesto, outlining twelve key principles divided into two cosmological sections—"The Emperor" and "The Moon"—that guide viewers toward heightened consciousness as collective paradigms shift.

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Drawing from astrological symbolism, sacred geometry, and esoteric wisdom traditions, the booklet articulates a vision where "spiritual integrity must be put to the forefront" and where luxury evolves "from valuing material possessions to valuing life itself." The text navigates polarities of experience—how sorrow prepares us for joy, how loss initiates new gain, and how chaotic uncertainty can be transformed through clear intention.

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The work posits that we are entering a water-element Aeon where "the soul of everything begins to rule" and where "union rather than divisionism becomes the conscious foundation of all actions." This intimate publication invites viewers to harmonize body, mind, and spirit, to exercise will from "deep spiritual centers," and to embrace tools like meditation, tarot, and mindfulness as vehicles for transcending creative mental interference. 

Mysteries from East to West (2019)

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Installation aimed at illustrating the mysteries that collide between eastern and western mysticism. Both ways of viewing life seem to be complimentary and necessary to understand us humans in a more holistic way.

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This series is comprised of a mirror installation, nocturnal large format photography and a few paintings.

The Space Within (2020)

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The Space Within" explores the internal territories that harbor our deepest fears and secrets—realms that remain largely unmapped, like cosmic space itself. Through the recurring symbol of the window, I invite viewers to venture into their unconscious mind, the foundation of identity formation and personal mythology.

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This project manifests as a multi-dimensional cartography of this internal journey, featuring a video performance documenting ego dissolution, a mirrored installation that catalyzes self-reflection, photographic and painted works capturing Lake Atitlan's mystical energetic properties, and a sculptural mural employing sacred geometry to represent universal consciousness.

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In an era fixated on outer space exploration and planetary alternatives, this body of work redirects attention inward, suggesting that the most profound discoveries await not in distant galaxies, but in the vast cosmos of our interior being—where many answers already reside, waiting to be accessed.

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Inner, Outer Worlds (2019)

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In this series of oil paintings, I have undertaken an introspective journey where architecture becomes my body, and windows, my inner portals to the outside world. Each painting is a fragment of a visual diary, documenting my spiritual transformation through symbols and landscapes.

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Throughout the seven works, created over nearly three years, I progressively integrate ancient wisdom, transforming my canvases into initiatory maps. The symbols are no longer simple representations, but vectors of embodied knowledge, where my esoteric studies dialogue with my psychic landscape.

These paintings become complex mirrors—living spaces where the ancient and the present, the collective and the intimate meet and metamorphose. Each work captures a moment of my spiritual crossing, inviting the viewer to glimpse the invisible territories of my inner transformation.

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